Smagorinsky,
Peter, and Michael W. Smith. “The Nature of Knowledge in Composition and
Literary Understanding: The Question of Specificity.” Review of Educational Research 62.3 (1992): 279-305. Web. 21 Apr.
2012. <http://rer.sagepub.com/content/62/3/279>.
This article looks at three
prevailing theories about how students transfer knowledge to a writing or
reading task: general, task-specific, and community-specific knowledge. General
knowledge contends that “no matter what you are writing about, the basic steps
involved in writing are almost always the same” (qtd. 282). Murray, for example, says his writing process
can be applied no matter what the writing project. Task-specific knowledge says
that one must have further knowledge of the specific genre or form before they
can effectively engage in writing it. As Applebee writes, “Essay exams require
one set of approaches, research papers another” (qtd. 287-8).
Community-specific knowledge claims that within each genre or form a writer
must have specific knowledge depending on who or what they are writing their
piece for. For example, while film critics and judges both rely on
argumentation, their separate forms of argumentation are so different that the
two could not swap places and still remain effective. The article does not take
a stance on these issues, but rather reports on them and points out the
necessity of all three. There are certainly cases where all three are equally
valid.
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